Initially, the tango was performed in corralones (communal courtyards) and at the orilleros (outskirts of town), places frequented by the lower classes, including dockworkers, butchers, and compadritos (local toughs). The dance itself was considered scandalous by polite society. Its close embrace, abrupt pauses, and intricate, sensual leg movements were seen as vulgar and immoral. The lyrics of early tango songs, delivered in a unique dialect mixing Spanish with Italian and Lunfardo (Buenos Aires slang), told stories of crime, heartbreak, and the harsh realities of slum life. It was the voice of the marginalized, the disenfranchised, the porteños (residents of Buenos Aires) who had been left behind by the nation's rapid modernization and export boom.